“Climbing the Eye of God by Matt Donovan” | NYR Daily | The New York Review of Books

This engineering marvel was built between 118 and 126 AD by the Roman Emperor Hadrian. The oculus (“the eye of God”) sits about 140 ft. above the ground at the center of the dome of the Roman Pantheon. Until recently people would climb the building to get a glimpse from the oculus into the interior of the building. It must have been an incredible sight! When I was younger I probably would have done it. What an experience! But I understand why it has been banned.

For more on the history of this practice go here: Climbing the Eye of God by Matt Donovan | NYR Daily | The New York Review of Books

 

“Climbing the Eye of God by Matt Donovan” | NYR Daily | The New York Review of Books

This engineering marvel was built between 118 and 126 AD by the Roman Emperor Hadrian. The oculus (“the eye of God”) sits about 140 ft. above the ground at the center of the dome of the Roman Pantheon. Until recently people would climb the building to get a glimpse from the oculus into the interior of the building. It must have been an incredible sight! When I was younger I probably would have done it. What an experience! But I understand why it has been banned.

For more on the history of this practice go here: Climbing the Eye of God by Matt Donovan | NYR Daily | The New York Review of Books

 

Ken Burns Jefferson Lecture | National Endowment for the Humanities

In a speech for the National Endowment for the Humanities earlier this month, the talented documentarian Ken Burns gave a powerful and compelling defense of the humanities. He mixes life lessons with insights into our current state of affairs gleaned from his immersion in the humanities. It’s really worth reading the entire speech.

Here’s and excerpt: “In a larger sense, the humanities helps us understand almost everything better–and they liberate us from the myopia our media culture and politics impose upon us. Unlike our current culture wars, which have manufactured a false dialectic just to accentuate otherness, the humanities stand in complicated contrast, permitting a nuanced and sophisticated view of our history, as well as our present moment, replacing misplaced fear with admirable tolerance, providing important perspective, and exalting in our often contradictory and confounding manifestations. Do we contradict ourselves? We do!”

Read the entire speech here: Ken Burns Jefferson Lecture | National Endowment for the Humanities

“Street Mural of Donald Trump Kissing Vladimir Putin Goes Viral” — TIME

A mural on the side of a restaurant in Lithuania has gone viral for depicting Republican presidential candidate Donald Trump kissing Russian President Vladimir Putin. The mural was created Friday by artist Mindaugas Bonanu at the barbecue restaurant Keule Ruke, according to the Associated Press. “We see many similarities between these two ‘heroes’ (Putin and…

via Street Mural of Donald Trump Kissing Vladimir Putin Goes Viral — TIME

“Kublai Khaan’s Imperial Palace Discovered Under the Forbidden City” New Historian

“The Palace Museum in Beijing, best known as the Forbidden City, recently confirmed the discovery of porcelain pieces and broken tiles dating back to the Yuan Dynasty established by Kublai Khaan in the thirteenth century, thus solving one of China’s greatest mysteries; the location of the Yuan Palace.”

Source: Kublai Khaan’s Imperial Palace Discovered Under the Forbidden City

Great Article by Quartz: “Americans don’t trust anyone or anything”

It’s been almost 20 years since David Bowie told us of he was afraid of Americans. Americans have used that time to grow increasingly afraid of their government, each other, and the rest of the world. By virtually every measure Americans have become less trusting, a situation which threatens to destabilize a wide variety of…

via Americans don’t trust anyone or anything — Quartz

“Why do all old statues have such small penises?” (NSFW)

I think you’ll find this post from the blog “How to Talk About Art History” fun and interesting. Enjoy!

Ellen's avatarHow To Talk About Art History

'David'_by_Michelangelo_JBU10 Close-up of Michelangelo’s David

Reader question: “Why do all old statues have such small penises?”

The reader who sent me this felt that it was a question that was maybe too silly for my blog, but – firstly – there are no questions too silly for this blog, and – secondly – the answer to this question is actually pretty interesting.

View original post 658 more words

“Your Hitler analogy is wrong, and other complaints from a history professor” – Vox

The over use (and abuse) of historical analogies may seem innocent, but as the historian Linford D. Fisher points out, they are not harmless.  The main problem is that “they dumb down our political discourse, cheapen the actual realities of the past, and rob us of the opportunity to genuinely understand and learn from the past.” This outcome is the result of “comparisons [that] are shallow and not rooted in any depth of meaningful knowledge of the past. They rely on caricatures and selective historical tidbits in a way that, indeed, just about anyone can be compared to anyone else.” In other words, they are very bad analogies.

Some of these analogies are a product of ignorance, but too often they are trotted out to serve political ends. If your goal is to discredit Obama, then just keep calling him “Hitler,” “a fascist,” and/or “a communist” (the fact that this is incompatible with the other two is never considered). This kind of extreme rhetoric has been successful at turning a significant portion of the population against the president, making it easier for Congress to oppose him at every turn. Their effectiveness ensures that they’re not going anywhere anytime soon.

But there is hope. One way to combat against this abuse of history is through education. This is one reason why the humanities are particularly valuable. They provide the critical thinking skills needed to see through such crude analogies. And, of course, a broad and in-depth knowledge of history is also helpful.

Done correctly, historical analogies can be very useful. As Fisher notes, “history gives us perspective; it helps us gain a longer view of things. Through an understanding of the past we come to see trends over time, outcomes, causes, effects. We understand that stories and individual lives are embedded in larger processes. We learn of the boundless resilience of the human spirit, along with the depressing capacity for evil — even the banal variety — of humankind. The past warns us against cruelty, begs us to be compassionate, asks that we simply stop and look our fellow human beings in the eyes. All of us — grandstanding presidential candidates and partisan tweeting voters — could use a little more of this kind of history, not less.”

Read Fisher’s germane plea here: Your Hitler analogy is wrong, and other complaints from a history professor – Vox

Book Review: “A Different Guernica” by John Richardson | The New York Review of Books

Art is at its best when it sends a powerful message, and this is exactly what Picasso’s famous Guernica painting does. The painting shocks and disturbs us, even when we don’t know the story behind it. It conveys a message of death, destruction, and a world gone mad. What horrible event could have provoked Picasso to paint such a disturbing scene?

The year was 1937. The Spanish Civil War was in full swing and General Franco, leader of the Nationalist forces, had powerful allies: Nazi Germany and fascist Italy. The war proved useful to the Nazis. It provided them with an opportunity to test new technologies and strategies of warfare. It was in pursuit of this goal that the Luftwaffe bombed the Basque town of Guernica. The goal was to break the morale of the people. It was psychological warfare against civilian populations.

Morale bombing was the brain child of the Italian General Giulio Douhet, whose influential The Command of the Air (1921) argued in favor of targeting civilian populations who  were assumed to be weak and would therefore if bombed would press their leaders to end the war, thus saving lives.

The strategy was based on a flawed assumption (civil populations are weak) and never lived up to its promise (an experiment that cost the lives of millions of civilians). But in 1937, Hitler was so enamored by its “successful” implementation in Guernica that he recommended its use on Poland two years later. This strategy was implemented not just by the Nazis in the Spanish Civil War, but also by the Allies during WWII.

While Picasso’s painting  is about a single event in Guernica, it has since taken on a much more significant role as an indictment of all war crimes and atrocities. For this reason, a replica of it is prominently placed  at the UN headquarters outside the Security Council chambers. Here it finds itself frequently the backdrop for press statements. As a result, it had to be covered up during a press conference in 2003. Collen Powell was set to speak about the war in Iraq. The message was inconvenient!

Read Richardson’s review of Gernika, 1937: The Market Day Massacre by Xabier Irujo here: A Different Guernica by John Richardson | The New York Review of Books

“Our gun myths are all wrong: The real history behind the Second Amendment clichés that have sustained our lethal gun culture” – Salon.com

Pamela Haag approaches the history of America’s gun culture from a unique perspective. By studying the history of the companies that manufactured and sold guns, she discovered that the gun culture was a product of clever marking. She insists that those who are promoting the idea that “America was born with a unique bond to gun culture,” are “peddling bad history.”

Here’s an excerpt from her informative article: “After World War I, saddled by massive wartime plant expansion and burdened by debt, the Winchester Repeating Arms Company (WRAC) had to push sales again, especially through what its executives shorthanded as an ambitious national “boy plan,” with a goal of reaching “3,363,537 boys” ages ten to sixteen. “When the boys and girls of your town arrive at the age of twelve years, they become your prospects,” the company’s internal sales letter explained. It was a new refrain in an old song. At this time the company announced the largest nationwide marketing campaign ever undertaken for guns “in the history of the world.” As it was in the beginning, so it was in 1922: gun markets and demand could never be taken for granted. It was the gun business’s business to create them.”

                                                      The Gunning of America by Pamela Haag

Source: Our gun myths are all wrong: The real history behind the Second Amendment clichés that have sustained our lethal gun culture – Salon.com